Kenji's K5000 Message Board Digest - Overview K5000 Resources - Overview
The Eat at Joe's Kawai K5000 Message Board Digest
Frequencies above 10000 Hz


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Ver 4 Sound Clipping like Hell
 Tuesday, 01-Dec-98 14:45:55 

      207.75.177.174 writes:

      I successfully upgraded to version 4 OS. The A bank has many new sounds. However,
      most of patches in A Bank give me lots of clipping. When using version 3, I set
      the volume knob of my K5kR to max & the gain of my Mackie mixer to
      unity, and I had no clipping problem at all. Now I have to set the volume knob of
      my K5kR to about 50% in order to avoid clipping. It's not a big deal. I can
      reprogram those clipping patches. But I'm wondering if others are experiencing
      the clipping problems. 

      HM Kim 

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Re: Ver 4 Sound Clipping like Hell
 Tuesday, 01-Dec-98 15:37:50 

      192.28.2.16 writes:

      I haven't loaded 4.0 yet, but I've had clipping on some of my own patches with
      the output knob up to full. I usually leave it at 2 o'clock. 

      leiter 

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Re: Ver 4 Sound Clipping like Hell
 Wednesday, 02-Dec-98 12:38:02 

      141.160.2.224 writes:

      Yes, I noticed this immediately also. 

      nick 

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Re: Re: Ver 4 Sound Clipping like Hell
 Wednesday, 02-Dec-98 21:26:08 

      128.91.16.232 writes:

      this is actually a good thing. Just adjust the gain on your mixer, and peg the
      volume on the K5k. The hotter it's signal output, the less noise you will get
      overall.

      geof 


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Frequency range stops at 10000 Hz
 Tuesday, 01-Dec-98 15:23:36 

      130.67.68.47 writes:

      Just want to hear if anyone else has a problem with poor treble sound. My own
      K5000R seems to give up around 10000 Hz or slightly below. If I play a source with
      only the 64th harmonic activated, there is no sound above D3 = 147 Hz, so
      this means no sound above 147 Hz * 64 = 9408 Hz.

      I bypass the DCF, bypass effects, and the bias of the formant filter is set to
      -63. Any ideas about some other parameter that can be tweaked in order to awaken
      the remaining frequencies up to 20000 Hz? 

      Tore 

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Re: Frequency range stops at 10000 Hz
 Thursday, 03-Dec-98 00:42:34 

      153.35.138.172 writes:

      Yeah, some of my sounds with a high frequency content start to "mellow" out around
      E5. I also fiddled around with various parameters to try and get my harmonics
      back, but with no success so far. Are the higher order harmonics just too
      highly pitched for the K5000 to generate when the fundamental is oscillating
      around E5?

      jon
      jonwest@vcu.org

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Re: Re: Frequency range stops at 10000 Hz
 Thursday, 03-Dec-98 21:12:35 

      209.214.60.64 writes:

      Definitely yes. 

      Terry 

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Frequency range stops at 10000 Hz & more on phase....
 Thursday, 03-Dec-98 21:51:19 

      153.35.138.96 writes:

      That's too bad. I think that the oscillators should hold up at least over the
      normal range of the keyboard. It makes me wonder what the use of having oscs
      65~127 is when 1~64's upper harmonics start cutting out in the upper range of the
      K5000S's keyboard. 

      I would much, much rather have the second set of oscillators available for cos
      waves (so sines and cosines were available)to get the phase relationships right
      than have the ultra high harmonics that will just cut out. 

      Speaking of phase, some of you may remember the discussion about that subject that
      took place here awhile back. 

      Here's an update, I went to the library and read up on the subject. I found several
      texts on aural perception and here's what I found:

      1. The older the text, the less the effect of phase on perception of timbre. The
         really old texts are the ones that say it doesn't matter at all.

      2. The newer texts (last 5~10 years) really shift the focus from examining
         situations where phase does matter (this used to be considered the unusual
         situation) to situations where it doesn't matter (this is now the slightly odd
         situation).

      This really didn't come as a surprise to me. If anyone has doubts about this I
      would suggest using the additive JAVA page leiter found
      (http://www.nst.ing.tu-bs.de/schaukasten/fourier/en_idx.html) to test it out. 

      The applet gives you control over sines and cosines (& therefore phase). If you
      replicate a waveform with the proper phase relationships you get one sound and if
      you use only sine waves (adjusted with the proper spectral amplitudes like
      we do with the K5k) you get a second differing sound. It's true that the second
      sound has some of the flavor of the first but it's sort of like sugar vs
      nutrasweet. Not the same.

      I don't mean to sound too down on the K5k, all synths have their limitations
      (usually having something to do with shortcuts taken in the design process to
      save $). It's better to focus on what a synth can do, and the K5k can do alot.
      It's just not the perfect additive machine.... 

      jon 

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Harmonics 64-127
 Sunday, 06-Dec-98 23:59:45 

      166.55.9.59 writes:

      I actually think that those upper harmonics are very important. Listen to my
      ADDSaw patches. I it uses two sources to get the full range of harmonics. Actually
      I think there are two of each for detuning purposes (two 0-63 and two 64-127).
      Play the lower half of the keyboard. Now disable the two sources that are used for
      the upper harmonics. The change in the sound is dramatic. I think that low notes
      sound much much better with the full range of harmonics!!!

      -Kenji


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